I'm now selling my photos!!!

I now host galleries of my favorite photos @ www.lloydshell.zenfolio.com Feel free to surf over there to see photo's that may have drifted into the darkest reaches of the archives here on Blogspot.

I also have begun selling my photographs when requested, I can handle most sizes and finishes either locally or via my on-line printing service.

Thanks for looking!

Lloyd
lloydshell@gmail.com

Tuesday, March 12, 2013

A Few From Sunday Afternoon at the Lake!

I have been blessed to live near a beautiful man made lake for several years, I have spent time photographing the areas around the lake but not the wildlife so much. I decided to change that and have a little fun with a lens I don't use much. A Sigma APO 300mm F4 TeleMacro that was given to me awhile ago. Not sure why I don't use it more.....

Here are my keepers, nothing fantastic, but fun to shoot. I really like the expression and look on the gull in the second shot.



I think I may title this one "Touchdown!"




This abstract shot of some wind sculpted ice really works for me. The color is reflected sky.









Sunday, March 10, 2013

Late Evening Light

I sometimes think to myself, that God made me for Sunsets & Sunrises, and Sunrises & Sunsets for me. For some reason the beginning and the end of the day just inspire me. Make me want to stop and reflect. 

Watching the clouds over the mountains in the evening light as I wait for the sunset to develop is a favorite way for me to pass the time. Well worth it don't you think?


Technical notes, this is a 15 shot panorama taken in portrait orientation with my DFA 100mm f2.8 WR Macro lens. Yeah I could print this thing big too...

Wednesday, February 27, 2013

Rocking Photo!!!!

Yeah, I like to brag on myself sometimes, but only when it is deserved. This is a new favorite of mine, two rows of 8 shots (16 total) Stitched together in PtGui, and ready to print LARGE!!!! Just wish I had the money! Large prints and mounting them is extremely expensive. Just love this shot though. I have been waiting more than a year to get it. 

Bam. Done.


Gadding About With A Prime...

To me there is a certain feeling that comes from using a prime vs. a zoom, in part I suppose because my primes are older (i.e "Classic") lenses that were designed to meet a certain standard of feel and build quality that modern plastic lenses simply are not. The feel of a well damped focus ring, the precision and the heft of large chunks of glass, the knowing that you are choosing what point to focus on rather than the camera combine to increase the sensory connection to the camera and through that, the scene you are photographing. Or it could be the dubious superiority of the classic school of thought in photography that using a prime and moving yourself around to create a shot rather than zooming your lens to create a shot is somehow an indication of greater skill. Called "Zooming with your feet" by some and "Stepping into traffic, or off a cliff" by others. I don't know what it is, but when I am just planning to walk around downtown or wanting to just be "Creative" I tend to put on an old manual focus prime lens and take what I can get. Yes I miss shots that the focal length of the lens on the camera is not suited for, but I think I also find shots that I would not with a zoom.

Any way you dissect the feeling, I like shooting with my old primes, it is a sensory experience that connects me with what I am shooting and I simply enjoy it. 

So... recently I acquired a Pentax K200mm f2.5 that I have been shooting with a lot, to get to know it, and how it behaves. I think I have a beginning of an idea of how to shoot with it. All the shots in this post were taken with this lens, it performs quite nicely, albeit with chromatic aberration if not stopped down a bit in the right (or wrong) situations. It seems to be a little strained to match the higher resolution of my K-5, but on my K200d it performs quite nicely indeed.

Well, enough maundering, time to go forward and talk about the photos. The first two were taken as I was leaving the University of Utah Medical Center after work, focusing on a moving object with a manual focus lens with a long throw and large aperture is tricky and I missed more than I hit, but I was able to get some reasonable results.



 Once I got downtown on the light rail I started my wander, intending to find new things that I haven't shot, or new angles on familiar objects, this  is easy to do when you are used to moderate wide angle lenses and are now shooting a longish telephoto. I have been toying with this type of shot but in the dark with moving cars and lights, long exposure etc... I don't think that this angle is the right angle, but I think it is maybe getting closer. I may need to go a few more blocks south and try again.


Graffiti seems to be a staple of "Street Photography" not that I truly consider myself one of those yet, but I do enjoy the odd or interesting bit, especially when it is rather clever. This I thought was very clever indeed.


Salt Lake has been making an effort to make downtown a little more funky and trendy. This sculpture was very eye catching and was a perfect subject for a longer lens. It is very much more enjoyable to view large, so do make sure you click on the image. 


Immediately west of the last sculpture was this one, I enjoyed the patterns and the ability to isolate the shapes that comes from a longer focal length. This is a shot I likely would not have even looked for with a wider lens on the camera.


One feature of primes with larger apertures is the ability to isolate subjects from the surroundings, often this can be overused or taken to extremes in my opinion. I shot this at f4 and felt I achieved a nice balance between context and blurring the background enough to bring out the lines of the main subject.


These old apartments up an alley were a feature that I had never laid eyes on before, despite having walked this street several times. The pattern of the repeating trim was something that really pleases me in a photo, could I have taken this with a zoom, certainly, but it was funner to have to work for it a little bit and move to get the right shot.


Hey... another repeating pattern. Weird huh? So this was a productive walk about town, I took most of these photos in a fairly brief span of time. Truly enjoy getting the creative juices flowing!


I liked the incongruity of a water tower in a modern city, that and the wispy clouds were nice too. Here a zoom maybe would have suited better, as I could have shown a little more context with a shorter focal length. Still like it though.


This shot was the reason I went the path I did, I took a similar shot with my 35mm f3.5 not long after getting it, and I wanted to see what I could do with something longer. I love how the pattern fades into blur, it is not the way our eye sees it, but I don't care, it focuses the eye on the pattern and shows you a detail that maybe you would miss with everything in focus.


This was actually taken the day before the rest of these shots. Still with the 200mm, it renders nicely and it looks really good. 20x30 print would be the max from this I think, but that is fine for me!


 These elk live on a farm close to my home. I was just goofing around, but was mildly entertained by the tongue action which I didn't even notice until I was sitting at the computer!



A week earlier I had the 200mm on my K-5 and wandered around campus during lunch and after work. This late afternoon shot was taken on the Presidents Circle, it is nothing special but I like the textures.


These backboards intrigue me, the stories they could tell, how may lives they have saved, I am constantly amazed at the resiliency of the human body, and yet saddened to see the havoc wreaked by a moment of thoughtlessness.


Looking down 2nd south towards downtown, nothing special, ending with a whimper I guess, but for some reason it reminds me of the many days I walked through this area and looked at this scene.


It always amazes me how much the campus has changed and yet remained static. The football stadium has not remained still and is a gleaming monument to athletic achievement. Wish I could afford the ticket to watch....


Congratulations you made it to the end of this post, you must be bored. Hope at least some part of it entertained you!

Monday, February 4, 2013

Temple Panoramas R Me!!!!!

In my never ending quest to get my next seriously cool Temple photo I went panorama. These were both shot at 300mm, Tripod etc... stitched with PtGui. I like the second more for the color and the total framing, want to print it but a 20x60 gallery wrap is full gonzo expensive!!!!!

Which do you like?


Sunday, February 3, 2013

Ahhhh........ New "Vintage" Glass!!!!

Yeah I did it again, I bought yet another new to me "Vintage" lens. One I have been wanting to add to my collection, not just because it is hard to find, but because it will allow me a creative use of depth of field in a focal length I have not had to this point. So... the lens I bought from my friend Ron is a Pentax SMC 200mm f2.5 lens. It is the fastest 200 Pentax ever made, it is pretty rare, not as rare as the 85mm f1.8 I played with awhile back, but I think more useful to me. I will possibly get that someday as well, just to have but I honestly think that I need to look at more modern autofocus lenses for the time being, especially the DA Limited series, DA 21/40/70 in particular.

I try to not get a particular judgement made regarding a lens until I have played with it for awhile and gotten to know its quirks. Every lens has weaknesses and strengths getting to know them is essential to using the lens correctly. The expectation for this lens in my mind is that it will be one that allows me to isolate details from a longer distance but to do so with larger apertures that allow for a more smooth and pleasing background. Knowing that this is an older lens also warns me against using it with strong backlight which produces a great deal of lateral chromatic abberations (Green Fringing around out of focus transitions behind the plane of focus and Reddish/Purple in areas in front of the plane of focus) Older lenses can be like that, at least the older long primes. Some of my more wide angle lenses show very little evidence of that at all.

These series of photos are not in chronological order but in the order I want to talk about them. I am not the kind of guy to go shoot test charts for resolution etc... I want to play in the real world, which often has little relationship to formal testing. Seeing as bokeh (a Japanese word for the appearance of the out of focus areas of a photograph) is a prime reason to buy this lens I wanted to see what it would look like. These first shots are hand held, because I was just messing around and I didn't take a tripod. 

f2.5

f4.0


f5.6


Processed version of the above shot just to see what it could look like with a little sharpening.


f8.0


f11


f16


f22


Up to f11 things get sharper with stopping down, f16 is maybe a bit more soft and f22 moreso, to me the important part is that the isolation of the elements works well and the back ground can be described as pleasing. If I had a tripod and used my live view to get exact focus dialed in on the cattails I would have been able to get a bit more sharpness out of them. So far I am pleased with the performance of the lens in reasonable light.

These were simply pleasing shots I took working to see what the lens could do from a mild distance away, I would normally try to shoot this with my DFA 100mm macro but I didn't want to get too close to the edge of a icy dock and risk falling in. The reach of 200mm gives me a safer distance to work from. Bonus!



This shot was at either f8 or f11 it has reasonable amounts of CA and yet a pleasing background.


This was wide open at f2.5, and I think I was slightly front focused as well, there is more CA but maybe not too much, I like how the benches tail off into blur more rapidly and the quality of the blur/bokeh is reasonably good. So far a quite reasonable performance for me.

 

This is a quite heavy crop taken at f5.6 with quite good results. The long focus throw will make this a difficult lens to try wildlife photography with but I may still be able to get some nice shots on occasion.


At nearly closest focus, the depth of field is very thin, trailing off into blur rapidly, while the shot is nothing special I like how I can control what is in focus and what is distracting. Even wide open the in focus parts are reasonably sharp. Another bonus point.


Shooting telephoto after the sun has gone down is a chancy proposition, I was able to get this shot with plenty of shutter speed to spare due to being able to shoot wide open. While not as sharp as putting the camera on a tripod would have allowed, it is sharp enough for what I am doing here. Does that shock you? So many photographers want sharpness at all levels, where is "sharp enough" for you? 


Just a few more fun shots taken quickly at the local train station. 



This shot is a 5-6 shot panorama taken from my front sidewalk, handheld. Yeah I am gonna like this lens, especially once I really learn how to make it sing.